Friday, March 16, 2012
Trust in Dreams II
My pictures are never pre-visualized or planned. I can’t anticipate the mood of the model, how she will react to a particular place , what the character of the light will be, or how I myself will respond to all these things. I feel strongly that pictures must come from contact with things at the time and place of taking (Wynn Bullock)
Saturday, February 25, 2012
...f8 and be there
One of the biggest mistakes a photographer can make is to look at the real world and cling to the vain hope that next time his film will somehow bear a closer resemblance to it...If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better (Galen Rowell)
Labels:
Bellmunt,
black and white,
Catalunya,
landscape,
long exposure,
mountain,
panorama
Friday, February 3, 2012
A Brief Lifting of the Mask
The revelation, if it comes at all, will come in a small fraction of a second with an unconscious gesture, a gleam of the eye, a brief lifting of the mask that all humans wear to conceal their innermost selves from the world. In that fleeting interval of opportunity the photographer must act or lose his prize (Yousuf Karsch)
Thursday, January 26, 2012
Sunday, January 8, 2012
Absence
Monday, December 26, 2011
Gil
Some people have big dreams, some people have small dreams. Whatever you have, the important thing is that you never stop dreaming (John Krakauer)
Saturday, December 10, 2011
Emotions in a Fraction of a Second
Sunday, November 27, 2011
Intention, Curiosity, and Passion
Our most important photographic tools are not our cameras and lenses; they are our ability to see farther and deeper, to be curious, to engage the world and our craft with intention, curiosity, and passion (David du Chemin)
Saturday, November 5, 2011
Wednesday, November 2, 2011
Muses
A muse can be a mirror: a reflection of the artist’s desires, anxieties, dreams and needs (Vince Aletti)
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